The latter seemed to be mutual, but the women's mutual attraction wasn't necessarily sexual as emotional. It broke the mold for its gleeful subversiveness: it was about a hitwoman who enjoyed killing people without apology, and the repressed intelligence agent hunting her who develops a fascination for her that walked the line between envy and lust. The first season of Killing Eve is still its best. That's the Villanelle that I wrote, that Phoebe turned into a screen character, and that Jodie ran with so gloriously." "When Phoebe Waller-Bridge and I first discussed Villanelle's character five years ago," he wrote in the Guardian, "We agreed that she was defined by what Phoebe called her "glory": her subversiveness, her savage power, her insistence on lovely things. Even Luke Jennings, the original creator of the Villanelle novels said, as politely as possible, that it sucked.
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